Throughout the 70s and 80s, Guy Bourdin took pictures of women and, sometimes, locations of women. These images were surreal, glamorous, ghostly, clear (in both senses), amusing and sexy. The women were anonymous, and generally dressed in swimsuits, occasionally with tights as well. They had props: telephones, teddy bears, beds, dolphins, bus stops. Added generally than not, their CL shoes sale were at the centre of the images.
This is because Bourdin, who took pictures for Vogue and Harper’s Bazaar, was aswell active by Christian Louboutin shoe cast Charles Jourdan from the mid-60s, and he produced their ad campaigns until the aboriginal 80s. It is these images, understandably, that cheap Christian Louboutin pays admiration to with the images for his own commercial attack this season. In one, we see a babe abject in blooming tights and dejected platforms, with the angel circumscribed at her waist in a Bourdinian manner. In another, one babe – cutting a bobcat book leotard and beam tights – lies back, with a fish-netted leg, complete with platform, beyond her in the foreground. Yet addition sees the aforementioned babe afresh on her aback with her legs bankrupt up to her chest and her face obscured, but a set of striped abate boots apparent for all to see.
In a avenue one way, this access makes a lot of faculty – the purpose of both sets of images is to actualize arresting pictures that put Christian Louboutin shoes in the centre. Louboutin has consistently veered on the ancillary of showgirl appearance – he even dabbles with the aerobatics – so Bourdin’s glossy, almost clad artful was consistently traveling to appeal. The photographer’s work, decidedly back endure year’s exhibition at Somerset House, is a advertence that appeals in a added appearance moment that is all about the 70s and 80s affair babe (see Hedi Slimane’s endure accumulating for Saint Laurent). This season’s Louboutin designs, alleged Oh You Pretty Things, accept a 70s feel.
Perhaps that is why the Louboutin pictures feel absolutely retro. It’s there in the beam tights, the Bowie lightning band on the girl’s arm, the red backdrop, the ruched belt. This is a affable apery of a appearance rather than demography Bourdin’s access and remaking it for 2016. The aberancy is faded, so these images feel added common-or-garden “sexy”, they absence the abashing aspect there in Bourdin’s images. The conclusion? A aggregate of glamour, sex and surrealism is still a solid gold blueprint for commercial Christian Louboutin outlet shoes. But the originals abide the best.